It all started out with a very unusual Gretsch round-badge kit from 1960: 20″ Kick, 13″ Tom and 16″ Floor Tom. Unusual because the 13″ and 16″ toms come usually with a 22″ bass drum and this 20″ bass drums with 12″ and 14″ toms. Beautiful sounding kit but as you can imagine this 20″ […]
I am very happy to announce the installation of a Waves Soundgrid System at Schleiwies Stuio with additional Soundgrid Server for more plugin processing power. It´s a very stable system with 0.8ms ultra low latency throughout the whole system, which is capable of routing and streaming high res audio through multi-room setups. Due to the […]
I love the sound of 2″ 24 track but even more I adore the sound of 2″ 16 track! So finally I was able to acquire a 16 track headstack for my Studer A800! The result is: more dynamic range & less hiss! So the new signal flow for mixing is: Pro Tools –>Antelope DA –> […]
This beautiful Fender the STRAT from my birth year 1980 with killer sustain is my new family member at Schleiwies Studio.
This wonderful vintage Gretsch round badge drum kit travelled all the way from New York city to Munich and now arrived safely in my studio! I am really excited to have this amazing set as our new studio´s recording kit! It just sounds absolutely fabulous!
This is a very nice film about the story of Focusrite studio consoles! Watch and enjoy!
There is a great movie coming out on 2/1/2013 directed by Dave Grohl about the legendary Sound City Studio in LA. It´s the official selection for Sundance Film Festival 2013 so check it out:
The AnalogMix.com gear family has a new member: A vintage Marshall JCM 800 amp in rare red color! Sounds great and looks even more so! I will use this rig to re-amp weak guitar tracks while mixing! So guys take this as a reminder to always record DI Tracks with a splitter parallel to your own […]
I often have to deal with very bad recorded tracks which sound lifeless and dull! Most of the time the problem results from the combination of cheap digital recording equipment and too small recording environments. Either the rooms are not acoustically treated at all or the acoustics are killed with some kind of foam. It´s […]